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::dj profiles:: |
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[Max Graham] |
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“His
music is the hottest sound in the UK right now. I believe he’ll be a world
wide success within 2 years.”
Nick Warren He
may be the biggest DJ in Canada. He may have been asked personally by
Oakenfold to open for him in New York and Ibiza (although he’s not a trance
DJ). But what’s really
interesting about Max Graham is his quest to push back boundaries, shatter
your preconceptions and, like label mate Timo Maas, develop a genre-defying
new sound. Which conveniently brings us to the phenomenal ‘Airtight’, released last September on Hope, a record so large that to gush in traditional record company superlatives is to make a mockery of its innate brilliance. All I’ll say is that the initial galloping minimalism of this slab of visceral tech-house blossoms into a dark, slowly draining euphoria that may hint at hope, but offers little respite. And if you want more, check his forthcoming 4 track EP, released at the end of March 2001. You’d
think that with music like this, Max may have some demons to exorcise. And
you’d be right (well, kind of.) Born in Spain, his family left for LA when
he was twelve, where he went on to do the angry-hip-hop-graffiti-kid thing.
Moving to Ottawa at the age of 19 in search of a “safer life”, he soon
blagged his way into Dj-ing at a weekly turntablist session at his local
niterie. It
was only after attending his first rave in 1995 (at the grand old age of
twenty four!) that Max realised his true vocation. And he knew it wasn’t in
the cheesy clubs at which he was then resident. Starting the hugely successful
Saturday nighter ‘Sweet’ which grew from a 300 to 1500-strong crowd, Max
then built and opened what was to become the first internationally famous
progressive house club in Ottawa, ‘Atomic’.
In the last three years, the club has seen an average of 1000 punters a
night, as well as attracting DJs as diverse as the Luvdup boys and Derrick
Carter. Max
delayed his foray into production until this year, because he was scared
he’d “get the bug.” He says, “I knew I’d get hooked on this. I want
my music to reflect the trials and tribulations not just of my life, but life
generally. This, to me, is my healthiest form of self expression.”
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